The unsung has struck again. The mystery of that guy who hides himself under many sheets of pseudonyms like “The Zohar” or “Ibrahim” might be relevant or not, it is not the point. What is important is that his music is good as hell!

Exploring the inner workings of Afro-American’s dance music history, from sketchy blues and jazz to disco, hip hop and the toughest techno, his music is a proposition of what house music is or should be.