Anhken is back for his third original outing on Enhanced, this time with 3 knock out progressive tracks.

This is arguably his best Enhanced release to date, as Anhken follows last summer's gorgeous Simplify release with yet more summery goodness.

It Can't Be True is built around a warm, subby bassline with beautiful melodies and tight, punchy, intelligent percussion.

Who's There follows in similar style - subtle, beautiful progressive trance, whilst Dawn leads with a far darker progression and theme that will no doubt find favour on the more underground dancefloors.

Stunning stuff once again!

Armin van Buuren: "Fire Sign is HUGE!!!! HUUUUGE... what a song!"

First aired on Digitally Enhanced Volume Three by Will Holland, Steve Brian's amazing rework of David Berkeley's 'Fire Sign' has caused somewhat of a stir over the past few months and it's easy to see why - Steve's crisp, lush production and David Berkeley's outstanding vocals are a match made in heaven - and the track made famous by the likes of the hit TV show 'Without A Trace' is now ready to destroy dancefloors across  the world.

Remixes come from Enhanced's Will Holland, who goes for more of a bigroom progressive outing from his usual style, and Freigeist who sticks a rocket firmly up the backside with an almighty bassline and huge synth line that will cause serious dancefloor turbulence!

An essential release!

Bring it, Carl & Tommy now drop part 3 of this White Isle banger, this time with Behrouz at the helm, dropping some San Fran edge on this bad boy release.His Ibiza Sunset Mix marks the tone with a Balearic Mambo vibe, joined by a white Island mix that ups the Tempo, and a dubbier edgy After hours edit to complete the package. Job Done!!!

With a debut solo LP, remixes of Carl Craigs classic At Les, forthcoming remixes of Plastikman and Laurent Garnier and an enviable touring schedule, its fair to say that Christian Smith is having a good year.

His new two tracker for Tronic, Opus One, is the sort of release which shows exactly why Smith is riding high at the moment. Comprising of two designed-for-the-dancefloor tracks, its pure, unadulterated nightclub music from one of house and technos true craftsmen.

The title track launches itself at the listener with acid inflections and a brilliantly undulating bassline, which married with a paired drum track and vocal stabs develops into an all out peak time cut with just the slightest of changes throughout.

The aptly titled Pump This Groove sees Smith employ some lo-slung funk in the bass department which alongside a guitar stab and skippy hi-hat work lends itself to real shape-throwing antics. Some titular vocal exclamations, a brilliantly filtered synth effect and clever arrangement later and youre in little doubt of this tracks effectiveness.

Tronic is about dancefloor bombs and this release from the Tronic main man is exactly that check it out.