Martin Eyerer is not just a musician; he is a real artist. Martin is a man of action! Ambition, diligence, creativity and perfectionism are his chief characteristics. More than 20 (!) years of experience and well over a hundred (yes, 100) releases or remixes, as well as DJ gigs on every continent on earth this a track record that speaks for itself. In essence, he simply wants to be the best, and this must be the reason for the continuous reinvention of himself.

To just follow trends has never been Eyerer's device. Quite the opposite: he often bucks them entirely! By any measure, this Stuttgart-born artist values his personal taste more than anything else, and very rarely has this taste deceived him: you may trust him on it! With 'Tiny Little Widgets', Martin Eyerer has just finished his second solo album. Two years after the distinctly dancefloor and club-oriented Word of Mouth, once again musical diversity is the main focus for him. With skill and deliberation he manages to find the balance between DJ tools and listening pieces, while always staying true to himself. These tracks are not just geared towards DJs or clubbers, but generally for people with a musically open mind. Tiny Little Widgets represents new territory, both in the experimental and musical sense. To achieve this, Martin has deliberately picked artists from different genres with whom to collaborate. Artists he simply deems worthy. And crucially, where in the past Eyerer rarely incorporated vocals, he now breaks this mould. For example, he was able to work with the Cuban singer America Rodriguez for the song Un Empujon.

The track Good Time got its vocals from Reggea Don. The latters dancehall vibe seems to be skilfully translated into an electronic tune. Then there is another collaboration with Phil Barnes who - according to Eyerer - is one of the best singers he knows. Barnes has already worked with Timo Maas, Paul Oakenfold, Moguai and many more artists and producers that fully underline his performing quality. Especially gratifying and successful is the work with internationally well-known singer Kosheen. Over the last 10 years, Martin has created three remixes for her - and now it was her time to contribute back the other way. By now, the musical breadth of the album should be quite apparent! Of course, other high-ranking artists are also ready to serve as remixers. Equally, it was clear that the project was not going to be based on acts which are hyped currently, but on artists who are appreciated by Martin for their musicality and friendship.

Once again, the impressive list of remix-producers speaks for itself: Thomas Schumacher, Florian Meindl, Tom Clark, Tigerskin, Namito, Sasse vs Phonogenic, Gel Abril, Martin Woerner, Alex Niggemann, Mihalis Safras, Helmut Dubnitzky, Patrick Zigon, and Stephan Hinz. These names, like Martin himself, stand for high quality club sounds and are going to contribute their interpretations of TLW-tracks. We are thrilled about it, and we think you will be too! In the run-up to the albums release it already seems clear Tiny Little Widgets will polarise opinion. There will be some people who are surprised by the vocal tracks, but others will just be amazed by the versatility of this album. Certainly, there will be enough talking points here to discuss for a long time to come! Uniquely this time, the album wont be released on Martin Eyerer's own label, Kling Klong, but on Cologne-based imprint, Blu Fin. This too is another sign of Martin's new approach to his work. Based on the successful and positive collaborations between Blu Fin and Martin Eyerer during the last few months, as well as label head Andrea Engels enthusiasm for the album, there was no doubt that the release should be on Blu Fin. In addition, this will be the first ever album release on Blu Fin, which creates both the potential and the motivation for all involved parties to make the event as special as possible!

A double CD was chosen as the best format: first the album as a whole, secondly a CD containing the remixes. 14 tracks of Eyerer, as well as the remixes, will come out as digital releases. There will also be vinyl record packs with the original and remixed tracks. October 2010 is scheduled to be the month of the release. Simultaneously, the world wide club tour will start. Already confirmed are dates for China, Japan, Brazil, Mexico, Australia and, of course, Europe. Starting from now, fans should anticipate the arrival of Martin Eyerer at their favourite club, where they can welcome him and his new master work. It goes without saying that one or two extra-special goodies will be included, too!