Hudd Traxx have reached their 30th release in style courtesy of French maestro Chris Carrier. The hypnotic synths of ‘Burning Desire’ kick off proceedings, maintaining those deep vibes synonymous with Hudd Traxx. On the flip Carrier takes it up a gear with the excellent ‘Donkey Party’; a chuggy French disco-tinged treat guaranteed to keep people glued to the dancefloor. ‘Beat du Matin’ rounds things off nicely with a decent chunk of skippy rhythms, cosmic sounds and haunting piano chords. If there’s one release you check out this week, make it this one. You snooze you lose!

Say hello to the 2nd EP by Micha Klang. Micha started the Clap Your Hands releases with his "The Other Men" EP half a year ago. Now he is back with his unique grooviness. Get ready hips & butts Mr. Klang is in the house!

'New Home Same Life'? Yes that was what our friend Echonomist thinks when he joined us with this lovely track in our compilation Cimelde Seasons Vol. One, now he though lets think on again cause it feels good. Well, we are very proud to present you the upcoming release 'New Home Same Life Edit Two' just a bit edited and freshed up by this very cool guy.

So this awesome track will be followed up by two great remixes on this release and lets welcome a new friend a really awesome guy from Germany who is a part of Highgrade Records, Simon Beeston who joined us with a groovy remix, something different like his productions are and the second remix is made by the Romanian guy Atapy who also had some other releases on Cimelde and he joined not very long time, Brise Records, so he is very promissing talent with some groovy sounds and ofcourse this cool remix too for this great EP wich must to be in your playlists !

Having released leftfield dance tracks as Skat on labels like Karat or Sthlmaudio, his records on Circus Company established Oleg Poliakov as an internationally renowned House producer. Continuing this string of releases, the 'Comet EP' introduces another view on his musical approach. With 'Stellar', Oleg tightens his grooves to a maximum. Creating an irresistible energy, the beats create an ideal stage for a reverent fanfare and a sexy voice only admitting: Shit baby, you got me mesmerized. With a contemporary and personal musical language, he matches the sublimity and dignity of the first House tracks of the mid-eighties.

The title track 'Comet' is conveyed by a deep bassline that puts one into a deep trance. But Oleg doesn´t let the crowd drift away: The whirl of a snare drum and the anthem-like saxophone hold the dancers firmly on the dance floor. 'Exoplanet' is one of these very special tracks that defy all stylistic boundaries. The furious beats astonish even longtime Broken Beats aficionados. The frenzy of the grooves is absorbed by the grace of detached Detroit sounds. Grown up in Rouen, France, Oleg Poliakov looks back on a lifelong exploration of electronic music and sounds.

Having worked at radio stations, he developed a sensibility for unusual, unique tones. His sonic library disclaims the stereotypical House sounds which one has listened to much too often. Developing a sonic language of his own, Oleg´s music is seductively beautiful and deeply mesmerizing. Another thing that makes his musical experience special is his former occupation as a HipHop producer. Having worked as a beat maker for a couple of France rap groups, he investigated the languages of rhythm profoundly. On the 'Comet EP', all these influences are not directly obvious to the listener, yet they enabled Oleg Poliakov to create such singular House tracks.

Chaim brings a glow to revellers' hearts. The producer and DJ from Tel Aviv is loved like a star for his melodic dancefloor elegies. This charming musician has opened up house music to his own unique sound cosmos; he takes delight in a new and distinct spectrum of emotions. He unlocks the club cosmos, moulds moods and sounds into a universal pop language and seduces us with enchanting grooves. This first single from his debut album Alive, due for release in February, fills the listener with euphoric longing.

The sweet, intimate surrender of 'U & Eye' takes your breath away. This song featuring the touching voice of Meital De Razon knows no boundaries. It captivates the masses at festivals and takes the home listener on a cinematic trip through a pair of headphones. 'U & Eye' is both a declaration of love and an accusation. The song captures the moment when you are completely enraptured with your lover, yet his or her actions remain a mystery. Love proves to be a prison and there is nothing left to do but hope for mercy. But this is not Chaim's last word on the subject: the laconic, almost ironic balance to this burning passion is to be found in the bassline of the track. Its melody carries you away and burrows deeper into your mind with every bar.

In 'Don't Shout' we hear Chaim's adamant call to the party animals in all of us. The deep bass tones of this euphoric, exuberant number infiltrate our every limb.

Crisp garage grooves are interspersed with oriental percussive rhythms; male voices communicate with the electronic tongues of angels. 'Everything' is a track for much later into the night: the chaos of the peak time has abated, the dancers are immersed in the depths of the music. Chaim drives them on with hypnotic chords, envelops them in a delicate sonic fabric. Don't you want it? calls a voice. Yes, Chaim, we certainly do!